elana herzog biography

elana herzog biography

[38][39] She then deconstructed them through a process of shredding, pulling and cutting; the remaining fragments maintained the rectangular formats of her sources in ghostly, afterimage-like forms that dissolve distinctions between figure and ground. Auction Records. Buy / Sell. [57][5][58][51] Her artist books belong to the Koopman Collection in the National Library of the Netherlands, the Rare Book Collection of the French National Library, and Rauner Special Collections at Dartmouth College. [30][17] Art in America's James Hyde described the zigzagging remnants as "intimate and architectural, delicate and rough," unconventional drawings with "juicy" surfaces of liquid-like fabric, glistening embroidery-like staples and dislodged chunks of sheetrock. Anna-Elena Herzog was born on July 12, 1987 in Germany. At the end of the day, my work is process-based, intuitive. [40][11][2] Critics suggest that Herzog's disintegrating imagery and hands-on, violent process of de-materialization both acknowledge and undermine relationships to late-modernist and domestic-craft traditions, while suggesting geological-archaeological and historical themes of impermanence, decay, erosion, memory, absence and presence. She studied art at Bennington College (BA, 1977) and SUNY-Alfred (MFA, 1979). Einarsdottir, Anna Sigridur. 2,904 Followers, 2,075 Following, 867 Posts - See Instagram photos and videos from Elana Herzog (@elanaherzog) [2] In Plaid, Herzog shifted from pictorial formats to bolder sculptural configurations of built structures and surfaces seemingly invaded by patches or shifting three-dimensional grids of stapled brown wool. [20] She withheld from exhibiting until 1990, when she participated in a group show at Minor Injury Gallery (Brooklyn) and received a review mention from Roberta Smith in The New York Times. [46][14] "SHIFT" (2015, Studio 10) featured 6'–8' amputated tree logs embedded with textile remnants and arranged on tattered Persian rugs that were surrounded by walls punctured with vertical, sutured bits of a sports jacket. Herzog, Elana (art) and Jerome Rothenberg (poetry). As in 2020, Anna-Elena Herzog‘s age is * years. Elana Herzog is a mixed-media installation artist who has exhibited widely nationally and internationally. Seems there's no news about Elana Herzog. "Elana Herzog: Four Projects for Spaces, 1996 to the Present,", Basha, Regine. Created with Sketch. Herzog was awarded a Guggenheim Fellowship in 2017 and the Anonymous Was a Woman Award in 2009. She has recently returned from Tbilisi, Georgia where she produced a large project, funded in part by the Foundation for Contemporary Art Emergency Grant, for Artisterium 10, an annual exhibition of international artists. Elana Herzog lives and works in New York City. Elana Herzog is on Facebook. [17] W(e)ave (2007, Aldrich Museum, with sound artist Michael Schumacher) and Plaid (2007, Smack Mellon) signaled Herzog's growing architectural and spatial engagement. [11][33], In her early career, Herzog aggressively reconfigured found linens, shower curtains, rugs, drapery and lace, smocking, puckering, cutting and stretching them into minimal sculptures. She is a recipient of a 2017 Guggenheim Foundation Fellowship. "[8][44] For Into The Fray, Herzog mounted sections of stapled textiles on fiberboard on to freestanding metal shelving struts, found wood, and walls throughout the space, rendering armature and art indistinguishable;[1] curator Dan Cameron called the show a poetic, "refreshingly anti-academic" deconstruction of late-modernist painting. Elena Herzog (née Pisetski; born in 1970) is a Russian-American visual artist and photographer. "Speed, labor, progress, obsolescence, loss, kitsch, camp, nostalgia, sentimentality, taste…there are too many cliches out there for what I and other women artists do. Between 2012 and 2016, Herzog lectured at Yale University. At the Herbert F. Johnson Museum, Cornell University, Ithaca, Herzog was invited by the curators to essentially de-stabilize their permanent collection and she responded with an exhibition called "Civilization and its DisContents" in which (among other things) the museum's own collection of carpets and fine art commingled with hers. "[13] She works intuitively, through a process-based method of accumulation and subtraction that involves improvisation, context-sensitive experimentation, and labor-intensive, heavy-duty assemblage. The former featured the installation, Romancing the Rock, which New York Times critic Holland Cotter described as lines of ripped fabric that "appear to be burning, like corrosive acid in the cube they're stapled to. And I just try to get out of the way.". This page will put a light upon the Anna-Elena Herzog bio, wiki, age, birthday, family details, affairs, boyfriend, controversies, … [51][32][52] In 2009, she was invited by the publisher Gervais Jaussad to produce an edition of twelve unique artist books pairing her work with poetry by Jerome Rothenberg. Resources. From CUE Art Foundation Benefit Auction, Elana Herzog, Untitled (2015), Paper pulp, linoleum printed paper, textile, 12 × 14 1/2 in [11][31][32] Her work bears the formal influence—often irreverently—of minimalists Donald Judd and Frank Stella, Eva Hesse, and site-specific conceptualists Robert Smithson and Gordon Matta-Clark, as well more narrative-based sources, such as Freud and Magritte. Elana has 2 jobs listed on their profile. Distinctions between support (walls, metal beams, wood panels) and gesture (chalk lines, pieces of fabric, staples) become unnecessary in these immersive environments in which nothing is what it once was, and yet everything is in full view. [17] Since then, she has had solo and two-person exhibitions at LMAK Projects (2011, 2014), The Boiler (Pierogi Gallery, 2014), Studio 10 (2015, 2016), the Sharjah Art Museum (2016), and Western Exhibitions (2018, Chicago), among others. Elana Herzog is an artist's-artist with a devoted following among practitioners, curators, and independently minded collectors for her singular ability to marry soft materials with obdurate institutional walls, and her sixth sense for finding the beauty and 'voice' within mass-produced fabrics. Images courtesy of the artist —Brenda Coultas is the author of the poetry collection The Tatters, forthcoming from Wesleyan University Press in January. View the profiles of people named Elena Herzog. "Elana Herzog; The Carpet Paradigm,". [17] It featured floor-to-ceiling forms that Review Magazine described as "eloquent lines created through violent physical action," resembling frayed seams or fibers forcing their way through walls. Herzog has been recognized with a Guggenheim Fellowship, Anonymous Was a Woman Award and Louis Comfort Tiffany Foundation Award, among others. Elana Herzog. Elana Herzog, partial view of Return of the Repressed, 2012, carpets, wood and composite materials, fabric, metal staples, dimensions variable. She has a BA from Bennington College and an MFA from Alfred University. Herzog is a recipient of a 2017 Guggenheim Foundation fellowship. [28][9][29], Herzog's art has been described as a mix of visceral color and texture, formal rigor and whimsy[30][1] that balances between decorative beauty and violence and "ruin and monument. There are 3 professionals named "Elana Herzog", who use LinkedIn to exchange information, ideas, and opportunities. Elana Herzog is known for installation art, textilels, sculpture, abstract domestic imagery. "If my work projects a sense of strength, it's through fragility and tangential qualities -- not the myth of greatness," says the artist. [6][7][8][9][10], Herzog's installations blur distinctions between two-and three-dimensional media, eliciting comparisons to late-modernist painting and drawing, yet they also upend that tradition through a subversive, deconstructive process that emphasizes ephemerality and fragility. [21], After turning to textile-based works in the 1990s, Herzog attracted growing attention with several site-specific installations, group shows at White Columns, Hofstra University and the Brooklyn Museum, and solo exhibitions at Black + Herron, Momenta Art, and P.P.O.W. "Textilpraedir ur ysum attum,", Frid, Dianna. Elana Herzog lives and works in New York City. (As the title suggests, Herzog, like Freud, finds the Unconscious a compelling cultural signifier.) "[36][25][11], Art in America critic Nancy Princethal, however, relates Herzog more to postminimalists, such as Mary Kelly and Richard Tuttle—for her focus on formal-spatial properties and exploration of the limits of the acceptable in art—than to contemporary artists engaging domestic materials in debates over "women's art" (e.g., Untitled I, 1996)[26] For the installation The Carpet Paradigm (1998, Wesleyan University), Herzog strewed thousands of square feet of diverse carpet remnants throughout an architecturally altered exhibition space; writers compared the layered formal effects to color field painting and the abstract landscapes of Richard Diebenkorn, while noting allusions to the obsolescence of design and the discard of cultural products in the work's appearing and disappearing patterns. I work I am building a language that is formal and abstract, as as!, with poetry by Monica de la Torre Warp and Weft, '', Princenthal, Nancy title! 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