sony rx1 video test

sony rx1 video test

I realize I'm spending a lot of time on the RX1's user interface, but that's because it had such a profound impact on my experience with the camera. COMPARISON! Right of the lens is the three-position focus mode switch. I couldn't be happier with the quality of the images it delivered, the lens was a revelation (you mean I really, really don't have to stop down to get a sharp image? Better Dynamic Range & Color depth are also part of the benefits. These may help a little, but still won't adequately prepare you for the first time you see and hold the RX1 for yourself: It's hard to imagine how Sony's managed to cram a full-frame sensor in there, let alone designed a lens that small that can cover it. Meanwhile, the Sony RX1 sets a new benchmark for compact camera performance, earning it a resounding Dave's Pick as one of the best -- if not the outright best -- cameras of 2012. In order to see the video, you have to select the appropriate media format in the menu system of playback mode. No problem, I set the right 4-way button to control aspect ratio, so I could switch from one to the other in a heartbeat. It wasn't so long ago that pro and intermediate photographers, in addition to their professional gear, would carry good quality, pocketable cameras, such as the Olympus XA or Stylus, which had fixed 35mm lenses and took full-frame 35mm film. Much of what makes the Sony RX1 such an enjoyable camera to shoot with comes down to its great user interface, and the extent to which it can be customized to fit your particular needs. And when I say "the best the field has to offer," that's without limitation. Finally, the lens controls remind me of the high-quality, manual-focus lenses of yore, in the smooth and precise way they operate, even though focus control in the RX1 is "fly by wire" -- with no mechanical coupling between the focus ring and the optics themselves. The lack of labelled default functions meant that the RX1 immediately confronted me with the question of what I wanted the controls to do. The lens has a focal length of 35 mm and aperture f/2. When manually focusing in still image modes, simply rotate the focus ring on the lens, and the screen instantly magnifies for a nice, close up view allowing you to easily and accurately check your focus. One added note about Sweep Panorama, that accounts for some of why I find it so handy: Most people only think of panoramas for horizontal shots, but they can be incredibly useful for vertical shots as well. It's official: you can go ahead and think of "RX" as code for Rex, because the King of Compact Cameras is here. The Sony RX1 records at three different video resolutions, and can record high-definition movies in either AVCHD (2.0) or MPEG-4 formats. There's a lot of latitude for making even significant tonal adjustments; detail comes up out of the shadows without complaint, and with surprisingly little noise. Full HD video at up to 50 fps (frames per second) with film-like effects, manual control, and audio input.¹ For creative flexibility while shooting movies and stills, users can enter Program Auto (P), Aperture Priority (A), Shutter Speed Priority (S), or Manual Exposure (M) mode for manual shooting and exposure control. I enjoy hiking when I have the time (ie, seldom), and Sweep Panorama is often the only way to capture the full height of a waterfall, working exceptionally well for that purpose. It inherits the same basic body shape and ZEISS 35mm F2 lens as its predecessors, the RX1 and RX1R, but almost … The lens has a focal length of 35 mm and aperture f/2. (Actually, these were shot interspersed with the first set of examples, with both shots in each camera orientation taken together.). And yes, that's a threaded shutter release button, which will work with a traditional mechanical cable release. There's no way around it, this is a significant failing. Featuring a fixed 35mm f/2 lens and 24 megapixel sensor in a petite shell the RX1 is designed for professionals after a discreet compact with excellent image quality. Last year you shared a video . Checking photos of the prototype body (including Sony's own initial PR shots), we saw that there was indeed an AF-C setting on the focus mode dial that apparently was deleted from production models. Beyond its ground-breaking size, what really thrills me about the Sony RX1 is its image quality -- and its phenomenal lens. While the RX1 lets you start recording video in any still image shooting mode, using the standard P, A, S and M modes for video is not as straight forward as simply turning the top control dial to the corresponding mode. The higher frame rate helps reduce the rolling shutter effect. Get it wrong one way, and control settings can change with the least jostle, bump or errant brush of a pinky. As you can see from the test video below, moiré is also a significant issue with the RX1. The camera's stellar capabilities and handling let me get the shots I wanted with very little fuss, and very little thought about the camera itself. Full-frame, 24-megapixel sensor in a compact body; Carl Zeiss Sonnar 35mm f/2 T* lens; Blazing fast autofocus; Impressive image quality that rivals (and sometimes surpasses) full-frame DSLRs; Customizable function buttons make it a breeze to use. While we did encounter minor issues in the form of a subtle color shift across images when shading compensation was enabled and a slight metering bias towards underexposure, we believe the first of these will prove amenable to a firmware fix, while the latter is easily dealt with by simply dialing in a little exposure compensation by default. I really liked the Sony RX1's file quality, especially in its RAW images. The one minor fly in the ointment is that the shading correction (which applies to both JPEG and RAW files, but can be turned off) introduces a slight magenta-to-cyan color shift across the frame. It's difficult to see a difference between them at ISO 100, which is significant given the NEX-7's APS-C sensor size, though the RX1 shows less noise in the shadows. With shading compensation enabled, we got relatively uniformly-exposed frames, but also with the color tints. We never thought we'd find ourselves saying that a $2,800 compact camera was a good deal, but if ever one qualified as such, the Sony RX1 is it. Sony RX1R Review. 6 Months With The Sony RX1 By Simi Tometi Hello Steve, Brandon, and fellow site readers. In the face of ongoing consumer demands for crisper-looking high resolution images, manufacturers have been backing off on the strength of the low-pass filters in their cameras, and in some cases, eliminating them entirely. For most people, $2,800 seems an awfully high price for a small-body camera with a fixed lens, regardless of quality. So, with the advent of this technology, Sony does not need to release two versions of the camera, such as the RX1R/RX1; instead, it has a single version, the RX1R II. The inevitable result of dialing back or eliminating low-pass filters in digital cameras is that artifacts and moiré patterns will rear their ugly heads. I often carry a pocket camera of some sort when I don't want to lug along a bulky DSLR, but it's always a painful experience, knowing how poor the images will be indoors or after dark. This suggests that there was a problem with continuous AF that Sony wasn't able to solve before the design and firmware were frozen for final production. Sony shipped samples of both for our evaluation. We'd been expecting a super-pro digital SLR above the A99 (a camera we'd already seen, which was announced simultaneously), but we didn't expect a camera that would make all the early Sony RX100 buyers utter a few expletives of their own. Here in the Sony DSC-RX1, the company is showing off exactly what it can do. At an even more basic level, the label says "this is what this button does", so it may not even occur to you to make it do something else. With no magnified MF-assist view available in movie mode, manual focusing is a very hit-or-miss proposition. The resolution is just incredible, which to some extent mitigated my dismay over the lack of a zoom lens. Posted 09/12/2012, Field Test by Dave Etchells Full-frame CMOS sensor and fixed-lens design rise to new heights in the RX1R II compact camera with 42.4-megapixel resolution and advanced image processing. The DSC-RX1 was released in late 2012. Field Test by William Brawley Posted: 10/4/2013. The contenders here are the Canon 35mm f/1.4, at roughly $1,400 street price, or the Nikon 35mm f/1.4 at about $1,600 street. The RX1 snaps dozens of shots, and stitches slices from each into a surprisingly seamless panorama. If a standard-def TV is your only choice, though, you're out of luck, as the RX1 doesn't offer any form of standard-def video output connectivity. by Dave Etchells, Shawn Barnett, Mike Tomkins, Zig Weidelich and Dave Pardue, Hands-on Preview and Walkthrough by Shawn Barnett The video moiré seems more severe. The Sony RX1 features a full frame sensor and has a format factor (sometimes also referred to as "crop factor") of 1.0. The RX1's Full HD video is recorded using the newer AVCHD 2.0 format, which is based upon MPEG-4 AVC / H.264 High Profile compression. Sony introduces the world’s first compact digital camera with a 35 mm full-frame sensor. Having the images inverted next to each other makes it relatively easy to see the subtle differences between them in their unmodified state, but the saturation-boosted versions don't need any close juxtaposition to see the differences. Your eyes can tell you plainly that the Sony A99's noise processing is a little more aggressive here. The shots below show it in comparison to an average-sized hand, and beside a current higher-end digicam. City by the bay: f/6.3; 0.8 sec shutter speed; ISO 3200; 16:9 aspect ratio. This means exposing shots a fair bit darker than you would if you were just looking for pretty pictures to use straight from the camera. The first thing that hit me when I saw the Sony RX1 for myself was just how small it is. Alternatively, you can compare the Sony RX1 with a manual-focus Leica M, at $7,000 for the body and around $3,000 for the 35mm f/2 Summicron M lens. The Sony RX1 is literally the size of some larger digicams, yet sports a full 36x24mm (well, almost, at 35.8×23.9mm), 24-megapixel sensor, and one of the best lenses we've yet seen on a fixed-lens camera. It takes a sweet lens to do justice to that 24-megapixel Sony sensor, but Sony certainly has stepped up by making it an 35mm f/2 Carl Zeiss Sonnar T*. ), Macro focus setting doesn't get you very close, 1/2000s max shutter speed at f/2, but "extended" ISO 50 helps, No continuous AF in still capture mode, continuous AF in video mode doesn't work, "Off" High ISO noise reduction setting applies stronger NR to red channel than "Low" or "Normal", Sluggish buffer clearing (does not take advantage of UHS-I cards), Standalone battery charger is optional (should be included), Plastic LCD screen: Should really be Gorilla Glass at this price point, Pricey to some, especially when you consider the cost of the optional, dedicated accessories. At night clever image processing algorithms to get the Sony RX1 and RX1R bring up the controls. Er et Sony-kamera, er videokvaliteten AF høj klasse means the Sony Cyber-shot RX1R II camera. ) replacement... 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